Who’s ready for more Elizabeth Olsen on a weekly basis? We sure are! It was announced this week that Elizabeth is set to star in HBO Max limited series Love and Death, based on the true story of Texas housewife Candy Montgomery, who murdered her friend, with an axe in 1980. Elizabeth is set to play Candy Montgomery in the series, to be executive produced by Nicole Kidman. You can read the full report below.

Elizabeth Olsen is set to star in a new HBO Max limited series that boasts an all-star lineup behind the camera as well.

Olsen will star in “Love and Death,” which hails from writer and executive producer David E. Kelley. Nicole Kidman will also executive produce, with Lesli Linka Glatter onboard to direct.

The series is based on the true story of Texas housewife Candy Montgomery, who murdered her friend from church, Betty Gore, with an axe in 1980. Olsen will star as Montgomery. The show is inspired by the book  “Evidence of Love: A True Story of Passion and Death in the Suburbs” and a collection of articles from Texas Monthly (“Love & Death In Silicon Prairie, Part I & II”).

“This is a gripping story about the frustrations and desires of two women in a small town that culminates in a terrible act of violence,” said Sarah Aubrey, head of original content for HBO Max. “We are thrilled to be partnering with David, Lesli, Nicole, and Per and incredibly fortunate to have Elizabeth at the center of our story to bring out all the layers of Candy that make this story so unforgettable.”

“Love and Death” will be produced by Lionsgate Television for HBO Max. Kelley executive produces via David E. Kelley Productions, while Kidman and Per Saari executive produce through Blossom Films. Linka Glatter will also executive produce in addition to directing, with Scott Brown and Megan Creydt of Texas Monthly, Matthew Tinker, Michael Klick and Helen Verno also executive producing.

This is now the second high-profile project about the Candy Montgomery case announced within the past year. Elisabeth Moss is set to star as Montgomery in the limited series “Candy,” which hails from UCP and is currently in development at Hulu.

“We cannot imagine a more perfect artist to play the leading role of Candy than Elizabeth Olsen,” said Kevin Beggs, chairman of Lionsgate Television Group. Her talent, charisma and energy can bewitch audiences like no other. We’re proud to be collaborating with a world-class creative team of Lesli, David and Nicole on this thrilling and intriguing series and to bring another exciting premium property to our partners at HBO Max.”

News of the series comes on the heels of Olsen starring in the critically-acclaimed Disney Plus series “WandaVision,” in which she reprised the role of Wanda Maximoff from the Marvel Cinematic Universe. Prior to the series, Olsen had appeared in four films in the MCU while she will also appear in the upcoming “Doctor Strange in the Multiverse of Madness.” She has previously starred in shows like “Sorry for Your Loss” as well as films like “Martha Marcy May Marlene.”

She is repped by Gersh, Brillstein Entertainment Partners, and Sloane Offer.

Elizabeth is on the cover of Glamour UK’s April digital issue, looking beautiful in pink! During the interview Elizabeth spoke about WandaVision, social media, what her siblings have taught her and what female power means to her. You’ll also be able to find photos in our gallery, and a fun video she did for the publication below.

Winding down quintessential English country lanes to the GLAMOUR April digital cover shoot – the first IRL in over a year – with Elizabeth Olsen, superstar of WandaVision, there is a palpable sense of excitement in the air. The theme of this issue is ‘fresh start’ and despite the onset drizzle, one can feel the sense of optimism and hope as the UK starts to open up for spring after our long, long winter of lockdown.

Elizabeth has been living in leafy Richmond [she ‘loves’ it] with her musician fiancé Robbie Arnett since October, while filming another Marvel franchise, Dr Strange 2, alongside Benedict Cumberbatch. “It’s a bonkers movie, they’re definitely going for that horror show vibe,” she tells me.

She’s especially looking forward to her local Petersham Nurseries restaurant opening up again, but today she is being photographed in the beautiful grounds of a 17th century mill house in Surrey. Her appearance in a patterned fuchsia Schiaparelli trouser suit and magenta tie-dyed Christian Dior denim corduroy suit against the backdrop of the English country garden is almost as marvellously incongruous as her portrayal of Wandavision’s suburban ‘housewife’ Wanda Maximoff’s use of magic to make plates fly across the kitchen or rustle up three-course dinners at the click of a finger.

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Elizabeth recently sat down with Grazia for a fun photoshoot and interview, in which she speaks about her career, WandaVision, and her lockdown experience in London. Our gallery’s been updated with a few outtakes released from the photoshoot!

Elizabeth Olsen is a trooper. We are in a field in Surrey on the outskirts of the Marvel studios; it’s a biting minus one and she is standing in a Chanel broderie anglaise sundress and increasingly soggy UGG boots. Her feline cheekbones face skywards, but Olsen is slowly sinking into the mud, trilling out high notes to keep herself warm (possibly distracted) and of course with spirits high. “It was the wind I think, that was worse than the sideways rain,” she jokes as we trundle back to the soundstage hangar that we are using as a studio. It’s the kind of moment that could go viral on Instagram, that is, if Olsen were on social media. Yet one of the biggest stars of our current cultural moment is completely offline – and that surprising fact might just be the least interesting thing about her. If anything, it is a sign of how Olsen has come into her own as a confident, decisive star with the power to create her own universe.

On the cusp of her 32nd birthday, Olsen is fastidious and professional, yes, but also bright, engaging, creative, and collaborative. Born and raised in the California sunshine, she is surprisingly at ease in the blustery conditions that deluge the English countryside in late January – or, it’s that she’s very good at acting. “It was one of the ugliest days of this winter – just hilarious – but I knew we wanted the shot,” the 31-year-old actress says.

Since October, Olsen’s been living in the leafy British countryside with her “man-guy-partner,” musician Robbie Arnett, just a short drive to the Surrey compound where Doctor Strange is being filmed. It’s a closed set, masked in secrecy as much as the socially distanced masked crew dotted all over the 200-acre studio. “It feels right being in a small city right now,” she says.

Of course, more than ever, it feels right being an Avenger. Olsen will be reprising her role as Wanda Maximoff (nom de plume Scarlet Witch) in Doctor Strange, following the rampant success of Marvel’s current miniseries (and first foray into television) WandaVision, starring Olsen and Paul Bettany. Olsen has been part of the Marvel cinematic universe (and one of the most successful film franchises of the last decade) since 2014 when she cameoed in Captain America. Bridging nostalgia and action, the buzz of WandaVision is global: from critics to comic book fans, and almost everyone else. It is arguably one of the most meta screen offerings in a long time, arriving on our screens in television’s Renaissance.
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While promoting WandaVision, Elizabeth spoke with Elle USA about the show and Wanda’s future in the MCU. Of course, we were also blessed with a beautiful photoshoot that you can view in our gallery. You can read the full interview below (and under the cut)!

We can’t keep meeting Elizabeth Olsen like this. By “this,” I mean in the throes of catastrophe or bereavement, or, to put it plainly, when she’s an emotional wreck. In the 2018 Facebook Watch drama Sorry For Your Loss, Olsen assumes the role of Leigh Shaw, a young widow grappling with the unexpected loss of her husband and all the painful nuisances that come with death: the unbearable waves of sadness, the clichéd condolences, a grief support group that runs out of donuts. At one point, Leigh says through a cracked voice, “I’m just mad all the time.” It’s hard not to draw parallels to Olsen’s other angry character. After all, “mad” is exactly how 2015’s Avengers: Age of Ultron introduced us to Wanda Maximoff.

Defined by tragedy since her Marvel debut, Wanda (aka the Scarlet Witch) is an orphan with telekinetic powers. When not saving the world, she spends most of her time onscreen grieving the deaths of her parents, twin brother, or lover. Wanda’s never been allowed to fully exist outside the confines of her grief and anger, but with the launch of WandaVision—Marvel’s foray into serialized content for streaming—she may just be getting the happy ending she deserves.

Partly inspired by The Vision comic book, which follows synthezoid superhero Vision and his family as they move to the suburbs of Washington, D.C., the Disney+ series is an ode to the TV sitcoms we’ve come to love, with Wanda and Vision (Paul Bettany) basking in newlywed bliss—except Vision’s been very dead (killed twice, in fact) since the events of 2018’s Avengers: Infinity War. It’s unclear exactly how these starcrossed characters got to suburbia, but for now, it’s a delight to see the typically solemn duo sink their teeth into slapstick comedy.

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We’ve got a WandaVision premiere date, everyone! That’s right, the upcoming Disney+ show starring Elizabeth Olsen and Paul Bettany will be streaming on January 12, 2021. But before the release date was released, it had been announced that the duo would be covering the December issue of Entertainment Weekly and blessing us with some new images and information on the show. We’ve updated our gallery with the released stills and scans from the issue, and below you can watch a video interview and read the article!

Last year, the notoriously secretive Marvel Studios did something unprecedented: It opened its set to visitors. WandaVision, the six-hour series about Elizabeth Olsen’s reality-altering witch and Paul Bettany’s charming android, takes inspiration from beloved TV comedies, from campy 1950s classics to the zany family shows of the ’90s. So for its premiere episode, Marvel’s first Disney+ TV show went full midcentury sitcom, filming in classic black and white in front of a live studio audience (all of whom signed very, very strict NDAs).

Crew members came to set in ’50s-era clothing, and used period lenses and lighting to capture that dreamy vintage glow. The special-effects team employed wires and camera tricks straight from Bewitched or I Dream of Jeannie, making wine bottles appear to pour on their own and household appliances zoom about like magic. And when Vision’s familiar maroon skin didn’t look quite right in grayscale, the makeup artists painted Bettany blue instead.

Bettany and Olsen rehearsed their entrances and exits as if putting on a play, and at first, they say the notion of live performance terrified them more than any Marvel supervillain. But by the time they secured their first audience chuckle, the pair realized they might have missed their calling as sitcom stars. “It was insanity,” Olsen, 31, says with a laugh. “There was something very meta for my own life because I would visit those tapings as a kid, where my sisters were working [on Full House].”
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